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To rearrange a
room successfully, begin by taking everything out of it (in reality or in
your mind), then decide how you want it to look, or how, owing to what you
own and must retain, you are obliged to have it look. Design and color of
wall decorations, hangings, carpets, lighting fixtures, lamps and
ornaments on mantel, depend upon the character of your furniture.
It is the mantel
and its arrangement of ornaments that sound the keynote upon first
entering a room.
Conventional
simplicity in number and arrangement of ornaments gives balance and
repose, hence dignity. Dignity once established, one could afford to be
individual, and introduce a riot of colors, provided they are all in the
same key. Luxurious cushions, soft rugs and a hundred and one feminine
touches will create atmosphere and knit together the austere scheme of
line the anatomy of your room. Color and textiles are the flesh of
interior decoration.
In furnishing a
small room you can add greatly to its apparent size by using plain paper
and making the woodwork the same color, or slightly darker in tone. If you
cannot find wallpaper of exactly the color and shade you wish, often it is
possible to use the wrong side of a paper and produce exactly the desired
effect.
In repapering old
rooms with imperfect ceilings it is easy to disguise this by using a paper
with a small design in the same tone. Ret perfectly plain ceiling paper
will show every defect in the surface of the ceiling.
If your house or
flat is small you can gain a great effect of space by keeping the same
color scheme throughout that is, the same color or related colors. To make
a small hall and each of several small rooms on the same floor different
in any pronounced way is to cut up your home into a restless, unmeaning
checkerboard, where one feels conscious of the walls and all limitations.
The effect of restful spaciousness may be obtained by taking the same
small suite and treating its walls, floors and draperies, as has been
suggested, in the same color scheme or a scheme of related keys in color.
That is, wood browns, beiges and yellows; violets, mauves and pinks;
different tones of grays; different tones of yellows, greens and blues.
Now having
established your suite and hall all in one key, so that there is
absolutely no jarring note as one passes from room to room, you may be
sure of having achieved that most desirable of all, qualities in interior
decoration repose. We have seen the idea here suggested carried out in
small summer homes with most successful results; the same color used on
walls and furniture, while exactly the same chintz was employed in every
bedroom, opening out of one hall. By this means it was possible to give to
a small, unimportant cottage, a note of distinction otherwise quite
impossible. Here, however, let us say that, if the same chintz is to be
used in every room, it must be neutral in colors chintz in which the color
scheme is, say, yellows in different tones, browns in different tones, or
greens or grays. To vary the character of each room, introduce different
colors in the furniture covers, the sofa-cushions and lampshades. Our
point is to urge the repetition of a main background in a small group of
rooms; but to escape monotony by planning that the accessories in each
room shall strike individual notes of decorative, contrasting color.
What to do with
old floors is a question many of us have faced. If your house has been
built with floors of wide, common boards which have become rough and
separated by age, in some cases allowing dust to sift through from the
cellar, and you do not wish to go to the expense of all-over carpets, you
have the choice of several methods. The simplest and least expensive is to
paint or stain the floors. In this case employa floor painter and begin by
removing all old paint. Paint removers come for the purpose. Then have the
floors planed to make them even. Next, fill the cracks with putty. The
most practical method is to stain the floors some dark color: mahogany,
walnut, weathered oak, black, green or any color you may prefer, and then
wax them.
This protects the
color. In a room where daintiness is desired, and economy is not
important, as for instance in a room with white painted furniture, you may
have white floors and a square carpet rug of some plain dark toned velvet;
or, if preferred, the painted border may be in some delicate color to
match the wall paper. To resume, if you like a dull finish, have the wax
rubbed in at intervals, but if you like a glossy background for rugs, use
a heavy varnish after the floors are colored. This treatment we suggest
for more or less formal rooms. In bedrooms, put down an inexpensive
filling as a background for rugs, or should yours be a summer home, use
straw matting.
A room with
modern painted furniture is shown here. The lines and decorations are
Empire. Note the lyre backs of chairs and headboard in day bed. Treatment
of this bed is that suggested where twin beds are used and room affords
wall space for but one of them.
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